Helen Lee Schifter says magazine editors must be able to think critically, communicate effectively, and be creative. These abilities are necessary for jobs including allocating work to writers, editing articles, and choosing which tales to include in an issue. They are the magazine’s face and supervise reporters or other editors. They also have the responsibility of making business decisions for the magazine as per Helen Lee Schifter. Working as a magazine editor has a lot of benefits, despite the fact that it can be difficult.
Increased Pay And Networking Options As Per Helen Lee Schifter
Salary packages for magazine editors vary depending on the degree of an editorial role, such as copy editors, managing editors, editors-in-chief, and senior editors. Because of his high standing in the editing department and the nature of his work, the editor-in-chief is the highest-paid magazine editor. Editors-in-chief of consumer magazines earn an annual salary of $80,000, according to a 2011 editorial poll conducted by Folio magazine. Senior and managing editors earn $62,000 per year, according to the report. Magazine editors have the opportunity to meet new individuals and form new friendships. Managing editors and editors-in-chief, for example, are frequently the magazine’s most visible representatives. They should be in frequent communication with people from various sectors as the magazine’s faces. An editor-in-chief of a trade journal, for example, would need to communicate with business stakeholders as told by Helen Lee Schifter. These editors will have the opportunity to form personal, long-term ties as a result of their affiliation. Creating a network like this could be beneficial when looking for a job at a different newspaper with better terms.
Independence And Job Exposure Are Major Perks As Per Helen Lee Schifter
Magazine editors work with little oversight, allowing them to make their own decisions. They should work as a team to make these decisions, collaborating with other stakeholders in the magazine’s development. Designers, web developers, writers, artists, photographers, and printers are all examples of stakeholders. These choices must also be founded on a thorough grasp of the audience’s requirements. Those who work as freelancers for a variety of publications enjoy the freedom that comes with their jobs. They have the freedom to choose their projects, working hours, and workstations. With dedication, time, and patience, magazine editors can progress their careers. The majority of executive editors and editors-in-chief began their careers as editorial assistants or interns before progressing to higher-paying roles. By studying the inner workings of a magazine as an editorial assistant, you can obtain significant experience.
Critical thinking
You can improve your critical thinking and organizational skills by attending editorial meetings. These meetings will also teach you about the development and presentation of magazine ideas. Editors use their imaginations to come up with relevant article ideas, plan the magazine’s content, and edit pieces for clarity and correctness. Editors are also responsible for writing photo captions and article titles, as well as reviewing page proofs according to Helen Lee Schifter. Smaller magazines editors may also be in charge of page layouts. This kind can be both stimulating and difficult.
Large Magzine
Large magazine editors are in charge of a large team of individuals. Editorial assistants copy editors, and fact-checkers may be hired. They become skilled administrators as their careers progress, directing workers, freelance writers, editorial assistants, and researchers, as well as collaborating closely with the art department on images and graphics. As they oversee projects from inception to finish, editors have the ability to make significant decisions. Editors can increasingly work from anywhere as long as they have access to a computer. Furthermore, the rise of the Internet and digital publishing is opening up new doors for editors.
Benefits Of Hiring An Editor As Per Helen Lee Schifter
When you employ an editor, they will tell you what works and what doesn’t in a professional and fair manner. Family and friends will not want to offend you, and beta readers may feel the same way. They may avoid particular topics out of fear of offending you, or they may refuse to inform you that your book isn’t well-written. Reviewers of books you give away for free could feel obligated to write a positive review in exchange for the book. There are a variety of reasons why your friends, beta readers, or reviewers may not provide you with a detailed evaluation. If anything doesn’t work, a skilled editor will tell you, kindly but firmly, whether they’re doing a thorough developmental edit or a copy edit.
Professional standpoint
They’re not simply considering the book from a professional standpoint. As readers, they’ll want it to be the best it can be. When you have your book or paper properly edited, your editor will address all of the issues that you missed. There are things we miss when we write and edit ourselves, no matter how many times we go over the document. This is also true for editors who write! A structural edit will reveal story flaws, a slow (or fast) pace, and other ‘big picture issues. A copy or line edit will remove problems in grammar, spelling, and sentence structure, among other things. Your authorial voice will remain intact after editing, but the words will flow better and the reader will have a better experience than with a raw, unedited copy. We all have word ticks, terrible habits, and shoddy writing at times.
Masterpieces
These will be handled by an editor. You’ve poured your heart and soul into it. You’ve been working on your masterpiece for months. Why take the chance of receiving negative feedback? Readers pick up on your misspellings, story holes, and contradictions, and some take pleasure in alerting the world about them.
A professionally edited book will reduce the likelihood of a negative review. You’ll never win over every reader, but you can avoid reviews like this one, in which “Mr. P of Plymouth” notices that the character’s eyes changed color halfway through the novel, or that the book went from the UK to US spelling in the last chapters.
Traditional publishers
With so much competition out there, getting recognized by agents and traditional publishers can be difficult. Even if an author skips the structural edit, a copy edit will polish your manuscript and make it less likely to be lost in the slush pile. Although an edited manuscript does not guarantee publication, it does demonstrate that you appreciate your work and respect the agent or publisher enough to present something of high quality.
Self Publishers
The majority of self-publishers still believe it is a good idea to have their friends, family, and readers edit their books. It may seem like entrusting your book to your old English teacher friend is a no-brainer, but nothing beats a professional job done by a professional editor. Having your book professionally edited is an investment in your future as a writer. It demonstrates that you are serious about your writing and that you care about your audience. Although a professional edit may be costly to you, it may not be to another author. It’s also possible that more than one round of editing will be required.
Professional Edit
However, if you want a professional edit, go for a trained professional editor. You may prefer a newly certified editor over a more expensive, well-established one, but be prepared to pay a professional fee for a professional service. You’ll need to set aside money for this.
